| Though it is no longer a port, Mamallapuram has retained its fame in stone, thanks to the great contribution of Pallava artisans. It is among the most outstanding examples of Dravidian art and architecture and a jewel in the crown of Tamil Nadu. In a land that is liberally strewn with some of the best in temple art, Mamallapuram holds its own, and stands as a silent yet eloquent witness to the glory of its creators.Unfortunately most of the work was left incomplete, and time and nature have also eroded the remains of this once great port |
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| Yet, Mamallapuram's wonders in rock leave visitors enthralled, conveying as they do, an impression of beauty and harmony. The monuments are floodlit at night and so it is possible to enjoy their beauty even after sunset. The Mamallapuram dance festival is conducted every year during Dec-Jan. It is a month long festival and dances take place during the weekends. Classical dances such as Bharatanatyam, Kuchipudi, Kathakali, Mohini Attam, Odissi, Kathak etc., are performed by well-known exponents of the art |
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| Caves |
| There are nine rock-cut cave temples. The Mahishasuramardhini cave, contrasting the goddess fighting a demon on one side, and Lord Vishnu's cosmic sleep on the other, is a particularly remarkable |
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| Krishna Mandapam |
| This cave has a big bas-relief, notable for its realistic representation. The panel relates one of the stories of Lord Krishna |
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| FiveRathas These rock-cut temples are rated as excellent examples of Pallava art. Shaped in different styles, the five structures are named after the Pandava brothers of the Mahabharatha and Draupadi. These are monolithic temples, each created in a different style. They are also known as the Pancha Pandava Rathas, and the four of the rathas are supposed to have been scooped out of a single rock formation |
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| Arjuna's Penance |
| The world's largest bas-relief measuring 27m x 9m is the pride of Mamallapuram. This huge whale-back shaped rock contains figures of gods, demigods, men, beasts, and birds and in fact, can be said to represent creation itself |
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| The Shore Temple |
| This is one of the oldest temples in South India. It belongs to the 8th Century A.D. and is a good example of the first phase of the structure of temples constructed in the Dravidian style |
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| Varaha Cave |
| This is a small rock-cut mandapam featuring four panels of fine looking door-keepers and four interesting bas-relief |
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| Krishna's Butter Ball |
| The huge boulder near the Ganesha Ratha is popularly known as Krishna's butterball. It rests precariously on a narrow rock base. It is believed that several Pallava kings have attempted to move the stone, but legend is that neither the kings nor their elephants could shift the boulder even by an inch |
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| Open Air Museum |
| This newly set up modern open-air museum of sculpture reflects the cultural heritage of the Tamil people from the pre-Sangam days. The objects on display, shaped mostly from granite by 200 sculptors, include a chain in stone, ornamental wheels and a host of other items. The themes here are many, including those relating to historical and cultural events of the period, placing the contribution of the Tamil land in proper perspective. Situated very close to the Shore temple, one can have a glimpse of the past, as well as the progress being made in the present in the field of art in Tamil Nadu |
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| Tiger's Cave |
| This cave it is located 4 kms north of the main monument complex. It was built as an open-air theatre, where cultural programmes could have been held during the Pallava period. Though it is very near the sea, the place is serene and calm |
